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Any definition of art has to square with the following uncontroversial facts: (i) entities (artifacts or performances) intentionally endowed by their makers with a significant degree of aesthetic interest, often greatly surpassing that of most everyday objects, first appeared hundreds of thousands of years ago and exist in virtually every known human culture (Davies 2012); (ii) such entities are partially comprehensible to cultural outsiders – they are neither opaque nor completely transparent; (iii) such entities sometimes have non-aesthetic – ceremonial or religious or propagandistic – functions, and sometimes do not; (iv) such entities might conceivably be produced by non-human species, terrestrial or otherwise; and it seems at least in principle possible that they be extraspecifically recognizable as such; (v) traditionally, artworks are intentionally endowed by their makers with properties, often sensory, having a significant degree of aesthetic interest, usually surpassing that of most everyday objects; (vi) art’s normative dimension – the high value placed on making and consuming art – appears to be essential to it, and artworks can have considerable moral and political as well as aesthetic power; (vii) the arts are always changing, just as the rest of culture is: as artists experiment creatively, new genres, art-forms, and styles develop; standards of taste and sensibilities evolve; understandings of aesthetic properties, aesthetic experience, and the nature of art evolve; (viii) there are institutions in some but not all cultures which involve a focus on artifacts and performances that have a high degree of aesthetic interest but lack any practical, ceremonial, or religious use; (ix) entities seemingly lacking aesthetic interest, and entities having a high degree of aesthetic interest, are not infrequently grouped together as artworks by such institutions; (x) lots of things besides artworks – for example, natural entities (sunsets, landscapes, flowers, shadows), human beings, and abstract entities (theories, proofs, mathematical entities) – have interesting aesthetic properties.